Biography
The Gipsy Kings played a major role in introducing the exuberant spirit of progressive, pop-infused flamenco to international audiences. Formed in the southern French village of Arles during the 1970s, the group began when brothers Nicolas and Andre Reyes, sons of celebrated flamenco performer Jose Reyes, joined forces with their cousins Jacques, Maurice, and Tonino Baliardo, whose father was Manitas de Plata. Initially performing under the name Los Reyes, the musicians traveled as a Gypsy ensemble, entertaining at weddings, festivals, and on the streets. Their nomadic lifestyle prompted the adoption of the Gipsy Kings moniker. They later performed at upscale gatherings in St. Tropez. Early recognition proved elusive, as their first two albums received minimal attention. At that stage the ensemble delivered traditional yet intensely passionate flamenco, highlighted by Tonino’s exacting guitar work and Nicolas’s remarkable vocals. Although they maintained a loyal following, broader acclaim arrived only in 1986 after linking with forward-thinking producer Claude Martinez, who recognized their potential as a globally significant act.
Under Martinez’s guidance the Kings incorporated a contemporary dimension, blending their established repertoire with influences from the Middle East, Latin America, North Africa, touches of rock, and their signature vitality. In an industry dominated by flamenco traditionalists opposed to innovation, this approach was bold, and many predicted the group would fail. Those forecasts proved incorrect. The 1987 independent-label release of “Djobi Djoba” and “Bamboleo” yielded two major French hits. That success secured a Sony Music contract and the issuance of their self-titled debut album the same year. Strong French sales followed, and the record soon entered the Top Ten album charts across twelve European nations, including England, a market historically resistant to non-English-language releases.
During the late 1980s the Gipsy Kings made their American debut at the New York New Music Seminar, leading to a U.S. Sony deal. In 1989 they received an invitation to perform at George Bush’s inaugural ball yet opted to return home for rest and family time. Later that year they delivered a sold-out concert at the Royal Albert Hall, where they mingled with major pop figures such as Elton John and Eric Clapton. Capping an exceptional year, their debut album remained on the U.S. charts for forty weeks and achieved gold status, one of the rare Spanish-language releases to do so. Subsequent releases maintained a steady pace, encompassing Mosaique (1989), Live! (1992), Love & Liberte (1994), Tierra Gitana (1996), Cantos de Amor (1998), Somos Gitanos (2001), and Roots (2004). Following extensive tours, the studio album Pasajero appeared in 2007, accompanied later that year by Live in Los Angeles. Continued worldwide touring preceded a prolonged hiatus during which several greatest-hits compilations emerged. In September 2013 the band marked its twenty-fifth anniversary with Savor Flamenco.
Under Martinez’s guidance the Kings incorporated a contemporary dimension, blending their established repertoire with influences from the Middle East, Latin America, North Africa, touches of rock, and their signature vitality. In an industry dominated by flamenco traditionalists opposed to innovation, this approach was bold, and many predicted the group would fail. Those forecasts proved incorrect. The 1987 independent-label release of “Djobi Djoba” and “Bamboleo” yielded two major French hits. That success secured a Sony Music contract and the issuance of their self-titled debut album the same year. Strong French sales followed, and the record soon entered the Top Ten album charts across twelve European nations, including England, a market historically resistant to non-English-language releases.
During the late 1980s the Gipsy Kings made their American debut at the New York New Music Seminar, leading to a U.S. Sony deal. In 1989 they received an invitation to perform at George Bush’s inaugural ball yet opted to return home for rest and family time. Later that year they delivered a sold-out concert at the Royal Albert Hall, where they mingled with major pop figures such as Elton John and Eric Clapton. Capping an exceptional year, their debut album remained on the U.S. charts for forty weeks and achieved gold status, one of the rare Spanish-language releases to do so. Subsequent releases maintained a steady pace, encompassing Mosaique (1989), Live! (1992), Love & Liberte (1994), Tierra Gitana (1996), Cantos de Amor (1998), Somos Gitanos (2001), and Roots (2004). Following extensive tours, the studio album Pasajero appeared in 2007, accompanied later that year by Live in Los Angeles. Continued worldwide touring preceded a prolonged hiatus during which several greatest-hits compilations emerged. In September 2013 the band marked its twenty-fifth anniversary with Savor Flamenco.
Albums

Savor Flamenco
2026

Zorro (Original London Cast Recording)
2008

Pasajero
2006

Roots
2004

!Volare! The Very Best of the Gipsy Kings
1999

Cantos de Amor / Love Songs
1998

Compas
1997

Tierra Gitana
1996

Best of Gipsy Kings
1995

Love & Liberte
1994

Live
1992

Este Mundo
1991

Mosaique
1989

Gipsy Kings
1987

Luna De Fuego
1983
Singles


