Paul Oakenfold

British DJ, producer, remixer, and label head Paul Oakenfold stands among dance music’s most pivotal architects, having propelled the genre’s global reach more than any other individual. During the late ’80s he first introduced house to British club audiences, then elevated it into mainstream visibility through dance-oriented productions and remixes for rock and pop acts including Happy Mondays and U2. He established the influential Perfecto Records imprint, secured landmark residencies at Ministry of Sound and Cream, and from the mid-’90s onward became synonymous with trance via enduring best-sellers such as Tranceport (1998) and his two Global Underground volumes. Even so, his sets have always drawn from a broad palette, weaving in drum’n’bass, downtempo, and film-score passages. On the production side he ventured into hip-hop, pop, and alternative rock with Bunkka (2002) and A Lively Mind (2006), enlisting Ice Cube, Pharrell Williams, and Ryan Tedder among others, while also scoring numerous films, television programs, and video games. Long ranked among the planet’s most in-demand DJs, he has sustained an unrelenting schedule into the twenty-first century, performing at such sites as the Great Wall of China, Mount Everest, and Stonehenge, issuing Dreamstate, Vol. 1 (2017), and collaborating with Madonna, Cher, and Britney Spears. Throughout the 2020s he has kept expanding his reach, issuing singles alongside Luis Fonsi, Azealia Banks, and Aloe Blacc.

London-born in 1963, Oakenfold began DJing at sixteen and soon partnered with Trevor Fung to spin soul and rare groove in a Covent Garden basement. In the late ’70s he spent time in New York, handling A&R duties at Arista Records while absorbing disco at Larry Levan’s Paradise Garage sessions. Returning to England in the early ’80s, he promoted clubs and served as British agent for the Beastie Boys and Run-D.M.C. He maintained his own DJ work, eventually landing a 1985–1986 residency at the Project, one of the country’s first dedicated house venues. Together with Fung and Ian St. Paul he encountered Ibiza’s burgeoning scene in 1987 and brought back the hybrid of house, soul, Italian disco, and alternative sounds that became known as the Balearic style.

Between 1988 and 1989 that sound took root at Oakenfold’s London nights—Future at the Sound Shaft, then Spectrum and Land of Oz at Heaven—before surfacing as a distinctly British phenomenon. With Steve Osborne he produced Happy Mondays’ 1989 single “(W.F.L.) Wrote for Luck,” named NME Dance Record of the Year, and their breakthrough album Pills ’n’ Thrills and Bellyaches, placing the duo alongside peers such as Andrew Weatherall, whose work on Primal Scream’s Screamadelica appeared the same year. Major labels soon sought the pair for remixes of U2, Simply Red, New Order, the Cure, Massive Attack, M People, Arrested Development, the Shamen, the Stone Roses, and Snoop Doggy Dogg, some released through Perfecto, the remix service and RCA-affiliated label they launched in 1990. Between 1990 and 1993 the British Phonographic Industry shortlisted Oakenfold and Osborne as Best Producers.

By the mid-’90s dance music had entered Britain’s cultural mainstream, with Oakenfold leading a cohort of international DJs. He toured with U2 and opened for INXS, the Orb, Simply Red, Boy George, and Primal Scream. On the domestic club circuit he helped launch Ministry of Sound and later held a residency at Cream rather than chasing higher one-off fees. He limited remixes to fewer than five annually, focusing instead on a series of mix albums, including several Journeys by DJ volumes, and contributed regularly to Pete Tong’s Essential Mix on BBC Radio 1. His late-1994 Goa-focused broadcast, later known as the Goa Mix, attained legendary status and remains Radio 1’s most-requested show. The 1998 U.S.-only Tranceport helped introduce both Oakenfold and trance to American listeners. He departed Cream in 1999; Virgin marked the occasion with Resident: Two Years of Oakenfold at Cream, followed the next year by Perfecto Presents Another World.

Oakenfold’s U.S. profile rose sharply in the early 2000s through headline appearances and tours alongside Moby and Carl Cox. After moving to Los Angeles to pursue film work, he delivered the 2001 soundtrack Swordfish: The Album. Bunkka, his 2002 debut of original material, followed. In 2003 he became the first DJ to perform at the Great Wall of China, documented on the double-CD Great Wall. Additional compilations such as Creamfields (2004) and Perfecto Presents…The Club (2005) preceded his second studio album, A Lively Mind, in 2006. Perfecto: Vegas arrived in 2009, the same year he produced the title track for Madonna’s Celebration hits collection.

In 2011 Oakenfold announced the Pop Killer project, slated to include Cee Lo Green and the Red Hot Chili Peppers, yet the album remained unreleased. He continued issuing compilations, among them the We Are Planet Perfecto series, and released his third studio album, Trance Mission, in 2014. Pop Killer talk resurfaced in 2016 with the single “U Are,” featuring Amba Shepherd and BRKLYN, though the full project stayed on hold. Dreamstate, Vol. 1 appeared in 2017; that year he also performed at Mount Everest base camp, billed at 17,600 feet as “the highest party on Earth.” The following year he staged the first DJ set at Stonehenge, later issued as Sunset at Stonehenge. During the 2020s he issued further collaborative singles: “The World Can Wait” with Luis Fonsi, “With You” with Alexander Popov featuring LZRZ, and “What’s Your Love Like” with Eve and Baby E in 2020; a cover of Duran Duran’s “Ordinary World” with Kilanova and Aisha Vaughan plus “Hypnotic” with Azealia Banks in 2021; and “I’m in Love” with Aloe Blacc. He also released the documentary SoundTrek Mount Everest: A Musical Journey.