Eric Church

Both by intention and by the era in which he emerged, Eric Church operated as a defiant outsider amid an industry dominated by glossy country-pop and genial male performers whose lyrics centered on romance, pickups, and brews. While sharing an affinity for those subjects plus an occasional joint, Church projected greater heft, muscle, edge, and intellect than most contemporaries, deliberately summoning the spirits of Waylon Jennings and Johnny Cash while incorporating electric guitars with metallic bite that had seldom figured in strict country settings. He routinely crossed such boundaries, delivering the bittersweet “Springsteen” in a style that nodded toward its namesake and threading reverse-taped guitars through “Creepin’” alongside a funk pulse on “Cold One,” thereby functioning as a covert musical insurgent beneath his plainly stated renegade persona. His willingness to deviate paid substantial dividends in robust sales, particularly once Chief arrived in 2011, while also drawing favorable notices from mainstream rock critics—an additional echo of the path blazed by Willie Nelson, Waylon Jennings, and their peers. Despite the inroads he made with rock listeners, the daring, many-sided Mr. Misunderstood, Desperate Man, and Heart & Soul confirmed Church as an emblem of how far mainstream country could stretch toward experimentation and personal idiosyncrasy in the twenty-first century.

Raised in Granite Falls, North Carolina, Church began singing in childhood. At age thirteen he took up songwriting and later mastered guitar on his own. While enrolled at Appalachian State University he assembled the Mountain Boys, a group that performed throughout western North Carolina. Following graduation with a marketing degree he relocated to Nashville intent on a country career. A year passed before he secured a publishing contract with Sony/ATV; thereafter other artists began cutting his material, among them Terri Clark’s recording of “The World Needs a Drink.” Producer Jay Joyce encountered Church and decided to work with him as a performer, leading to a series of demos that prompted Capitol Records Nashville to offer a recording deal.

Church’s first single, “How ’Bout You,” appeared early in 2006 and had climbed into the country Top 20 when Capitol released the debut album Sinners Like Me that July. The set earned both critical praise and commercial traction; he followed it with Carolina in 2009, an effort aimed squarely at contemporary country radio that yielded two Top Ten hits—“Love Your Love the Most,” later certified gold, and “Hell on the Heart.” Another gold single, “Smoke a Little Smoke,” arrived in 2010, the same year Church received the Academy of Country Music’s Top New Solo Vocalist trophy. After extensive roadwork he issued the Caldwell County EP in January 2011; it peaked at number 13 on the Billboard country chart, as did the single “Homeboy.” Chief followed in July.

The July 2011 release of Chief marked Church’s commercial breakthrough, entering at number one on both the Billboard 200 and Top Country Albums surveys. Shortly afterward “Drink in My Hand” reached the summit of the country chart, becoming his first number-one single. Its success was surpassed in summer 2012 by “Springsteen,” another chart-topping country ballad that also crossed into the pop Top 20. Two further singles, “Creepin’” and “Like Jesus Does,” were drawn from the album, which captured Album of the Year honors at the 2012 Country Music Association Awards. Chief also produced Church’s initial Grammy nominations—for Best Country Album plus Best Country Song and Best Country Solo Performance for “Springsteen.”

Early in 2013 Church issued the live album Caught in the Act, captured at Chattanooga’s Tivoli Theatre the previous October; it debuted at number five on the Billboard 200. He spent the balance of 2013 preparing his fourth studio album. The first preview arrived with the hard-rocking “The Outsiders,” which also served as the title track. After the follow-up single “Give Me Back My Hometown” likewise reached the country Top Ten, The Outsiders appeared in February 2014 to considerable anticipation and became his second release to top both the country and Billboard 200 charts. That year Church earned four Grammy nominations—Best Country Album, Best Country Solo Performance and Best Country Song for “Give Me Back My Hometown,” and Best Country Duo/Group Performance for “Raise ’Em Up,” a single from Keith Urban’s Fuse. The Outsiders generated five charting singles, the largest being the number-one Country Airplay ballads “Give Me Back My Hometown” and “Talladega.” While “Like a Wrecking Ball” remained on the charts, Church surprised listeners with the sudden November 2015 release of the full-length Mr. Misunderstood.

Mr. Misunderstood opened at number two on both the Billboard 200 and country charts, eventually receiving gold certification and the 2016 Country Music Association Album of the Year award while yielding three hit singles: the title track, “Record Year,” and “Kill a Word,” whose single version featured Rhiannon Giddens. In November 2016 Church released the EP Mr. Misunderstood on the Rocks Live and (Mostly) Unplugged. His sixth studio album, Desperate Man, followed in October 2018, led by its title track as the first single. The set earned another Grammy nomination for Best Country Album, while “Some of It” was nominated for Best Country Song.

Two new singles, “Stick That in Your Country Song” and “Bad Mother Trucker,” surfaced in 2020, with “Heart on Fire” and “Lynyrd Skynyrd Jones” arriving the next year. All originated during an intensive month-long session in North Carolina in which Church and his band composed and tracked one song daily. The accumulated material was issued as the triple-album sequence Heart & Soul in April 2021. Heart appeared first, followed days later by & for fan-club members and then Soul; Heart reached number five on the Billboard 200 and number three on the country chart, while Soul improved by one position on each tally. The pair produced two major Country Airplay successes—“Hell of a View,” which topped the chart, and “Heart on Fire.” In August 2022 the & EP received a general release. During 2023 Church appeared on Morgan Wallen’s number-one single “Man Made a Bar,” and the two performed together at that year’s CMA Awards. Church returned in October 2024 with “Darkest Hour,” a moving tribute to his home state in the aftermath of Hurricane Helene, directing proceeds from the single toward relief organizations in North Carolina.