Biography
Endowed with striking appearance, vocal strength, and a natural rapport with crowds, Julio Iglesias ranks among the most celebrated and lasting presences in Latin music, an authentic global icon whose recordings have surpassed 300 million copies and who still commands sold-out shows plus frequent chart success across a six-decade run. Born Julio José Iglesias de la Cueva in Madrid, Spain, on September 23, 1943, he grew up as the son of a prominent physician and initially aimed to practice law while entering diplomacy. A talented athlete in his youth, he realized a teenage goal by joining Real Madrid as goalkeeper until a 1962 automobile crash caused lasting spinal damage that confined him to bed for almost two years. During that recovery he learned guitar on his own and started composing, awakening a deep commitment to music.
Although he later resumed legal training in Great Britain, his passion for song persisted, leading him to submit his original piece “La Vida Sigue Igual” to the 1968 Benidorm International Song Festival. The entry captured top honors and secured a contract with Columbia Records’ Spanish division. His recording of the song reached number one across Spain, prompting him to abandon law for a full-time music career. He issued his debut album in 1969, represented Spain at the 1970 Eurovision Song Contest, and by 1971 had already moved a million units.
His aptitude for languages prompted a 1972 expansion into German, Italian, French, and Portuguese alongside Spanish; before long he ranked among Europe’s most sought-after performers, drawing massive audiences in capitals worldwide. A sold-out 1976 engagement at Madison Square Garden signaled his growing reach, even though the United States remained one of the last major territories to embrace him fully. Later that decade he inked a CBS International agreement that mirrored his worldwide stature and turned his focus toward English-speaking audiences. After “Begin the Beguine” scored in the United Kingdom in 1981, the compilation Julio appeared to acquaint mainstream American listeners with his work, incorporating the English-language track “Hey.”
The 1984 release 1100 Bel Air Place finally launched him to stardom stateside; the set, highlighted by his duet with Willie Nelson on “To All the Girls I’ve Loved Before,” moved more than three million copies and cemented his reputation as a genuine international figure. In 1985 a Basque terrorist faction abducted his father, who was recovered unharmed after fourteen days. Convinced his family would be safer in America, Iglesias settled in Florida, acquiring an estate in Indian Creek Village and a residence in Punta Cana, Dominican Republic.
Throughout the 1980s and into the early 1990s many of his projects were shaped for U.S. listeners, often pairing him with figures such as Stevie Wonder and Dolly Parton. With the 1996 album Tango he reaffirmed his bond with Latin fans, earning the World Music Award, while 2003’s Divorcio achieved strong sales back home in Spain. He also rekindled ties with French audiences through En Français… in 2004 and L’Homme Que Je Suis the following year. After maintaining an active touring calendar and issuing the 2006 collection Romance Classics, he appeared to ease his studio pace until 2011, when he declared his voice as robust as ever and revisited signature songs for the commercially triumphant 1, Vol. 1. Four years later Mexico paid tribute to that nation’s musical heritage, and in 2018 Mexico & Amigos arrived as a duet collection featuring Juan Luis Guerra, Plácido Domingo, Diego Torres, Thalía, and Eros Ramazzotti.
Although he later resumed legal training in Great Britain, his passion for song persisted, leading him to submit his original piece “La Vida Sigue Igual” to the 1968 Benidorm International Song Festival. The entry captured top honors and secured a contract with Columbia Records’ Spanish division. His recording of the song reached number one across Spain, prompting him to abandon law for a full-time music career. He issued his debut album in 1969, represented Spain at the 1970 Eurovision Song Contest, and by 1971 had already moved a million units.
His aptitude for languages prompted a 1972 expansion into German, Italian, French, and Portuguese alongside Spanish; before long he ranked among Europe’s most sought-after performers, drawing massive audiences in capitals worldwide. A sold-out 1976 engagement at Madison Square Garden signaled his growing reach, even though the United States remained one of the last major territories to embrace him fully. Later that decade he inked a CBS International agreement that mirrored his worldwide stature and turned his focus toward English-speaking audiences. After “Begin the Beguine” scored in the United Kingdom in 1981, the compilation Julio appeared to acquaint mainstream American listeners with his work, incorporating the English-language track “Hey.”
The 1984 release 1100 Bel Air Place finally launched him to stardom stateside; the set, highlighted by his duet with Willie Nelson on “To All the Girls I’ve Loved Before,” moved more than three million copies and cemented his reputation as a genuine international figure. In 1985 a Basque terrorist faction abducted his father, who was recovered unharmed after fourteen days. Convinced his family would be safer in America, Iglesias settled in Florida, acquiring an estate in Indian Creek Village and a residence in Punta Cana, Dominican Republic.
Throughout the 1980s and into the early 1990s many of his projects were shaped for U.S. listeners, often pairing him with figures such as Stevie Wonder and Dolly Parton. With the 1996 album Tango he reaffirmed his bond with Latin fans, earning the World Music Award, while 2003’s Divorcio achieved strong sales back home in Spain. He also rekindled ties with French audiences through En Français… in 2004 and L’Homme Que Je Suis the following year. After maintaining an active touring calendar and issuing the 2006 collection Romance Classics, he appeared to ease his studio pace until 2011, when he declared his voice as robust as ever and revisited signature songs for the commercially triumphant 1, Vol. 1. Four years later Mexico paid tribute to that nation’s musical heritage, and in 2018 Mexico & Amigos arrived as a duet collection featuring Juan Luis Guerra, Plácido Domingo, Diego Torres, Thalía, and Eros Ramazzotti.
Albums

en el OLIMPIA
2025

México & Amigos
2017

Soy ... Julio Iglesias
2017

México
2015

1, Volumen 1 (Edición Deluxe)
2012

1, Volumen 1 (Parte 2)
2012

1, Volumen 1 (Parte 1)
2012

1, Volumen 1
2011

The Essential Julio Iglesias
2010

Sólo Instrumental
2008

Hautnah - Die Geschichten meiner Stars
2007

Quelque chose de France
2007

Romantic Classics
2006

L'homme que je suis
2005

Love Songs
2004

En français
2004

Divorcio
2003

Personalidad
2002

Ao Meu Brasil
2001

Noche De Cuatro Lunas
2000

One More Chance
1999

My Life: The Greatest Hits
1998

Tango
1996

Crazy
1994

De Nina A Mujer
1992

STARRY NIGHT
1990

Raices
1989

Non Stop
1988

Un Hombre Solo
1987

America
1986

Por Una Mujer
1986

El Amor
1986

Libra
1985

1100 Bel Air Place
1984

Julio
1983

Et L' Amour Crea La Femme
1982

Moments
1982

Momenti
1982

Momentos
1982

Begin the Beguine
1981

From A Child To A Woman
1981

Zartlichkeiten
1981

Hey!
1980

Emociones
1979

Innamorarsi Alla Mia Età
1979

1 Greatest Hits
1978

A Mis 33 Anos
1977

Yo Canto
1977

En El Olympia
1976

Calor
1975

A Flor De Piel
1974

Mexico
1974

Gwendolyne
1970
Singles

Bohemio
2020

Fallaste Corazón
2017

Juan Charrasqueado
2017

Júrame
2017

Y Nos Dieron las Diez
2015

Usted
2015
Live

