Artist

One King Down

Genre: Rock ,Post-Grunge ,Alternative Pop/Rock
Origin: U.S.A
Listen on Coda
Hailing from Albany, New York, One King Down specialized in a crunchy, danceable strain of metalcore shaped by contemporaries such as Snapcase and Earth Crisis. The band took shape in the mid-1990s around the core lineup of bassist Bill Scoville, guitarist Mike Scoville, guitarist Matt Wood, and drummer Derrick Van Wie. An early EP on Trainwreck Records featured their original vocalist, yet it was the arrival of Rob Fusco on vocals, paired with support from Equal Vision Records—where Bill had been employed for several years—that propelled the group onto the global hardcore punk map. The diminutive frontman’s distinctive growl and advocacy for the vegan straight-edge ethos—though not every member followed a vegetarian diet, all remained drug-free—drew widespread notice across the United States and Europe. Those vocals were captured alongside the band’s stop-and-go rhythms and heavy, dancefloor-oriented grooves on the 1997 Equal Vision release Bloodlust Revenge, still considered by most fans their strongest recorded statement. Extensive touring with Erie, Pennsylvania’s Brothers Keeper and additional acts helped move several thousand copies through both live sales and major independent distributors, while a split EP with Spirit of Youth appeared via Europe’s Good Life Recordings. Internal tensions led to Fusco’s departure just before a scheduled national tour supporting Earth Crisis and Madball, with a subsequent run alongside Hatebreed also in the works. Ryan Downey, then fronting Burn It Down, stepped in as a temporary replacement but departed after only two performances, leaving the group without a singer. Syracuse native Jon Peters ultimately joined and supplied vocals for the band’s first full-length, 1998’s God Loves, Man Kills. Following further touring, Peters exited and the band briefly disbanded. Mike Scoville tried out for the Foo Fighters without success. One King Down later regrouped, welcomed Fusco back, and played several shows before Van Wie departed, prompting Wood to switch to drums and reducing the Albany quartet to a four-piece configuration. The 2000 Gravity Wins Again EP combined newly written material with previously recorded tracks. After opting out of an appearance at Syracuse, New York’s Hellfest in 2001, the band appeared to have ended its run for good.