Artist

Steve James

Genre: Blues ,Contemporary Blues ,Acoustic Blues
Origin: U.S.A
Listen on Coda
From years of relentless performances on the road, multi-instrumentalist Steve James carved out his standing in the acoustic and folk-blues worlds. He assembled his following through direct, grassroots effort, independent of any global label's promotional apparatus.

National steel guitar, mandolin, and banjo were among the instruments he mastered, yet blues claimed him at the age of twelve. During his formative years he cultivated friendships with acoustic-blues elders Sam McGee and B.B. King's cousin Furry Lewis, absorbing their techniques firsthand. While still a teenager in New York City, he encountered Leadbelly, Josh White, and Meade "Lux" Lewis through the 78-rpm discs in his father's collection. After relocating to Tennessee, those same relationships with McGee and Lewis deepened. In 1977 he settled in San Antonio, Texas, where necessity broadened his scope; he performed alongside saxophone legend Clifford Scott as well as in rock settings with Bo Diddley. Passing through Texas, John Hammond, Jr. and Dave Van Ronk also shared bills with him.

Three albums appeared on Austin's Antone's Records: Two Track Mind (1993), American Primitive (1994), and Art & Grit (1996). Affiliation with Portland, Oregon-based Burnside Records followed, producing Boom Chang in 2000. Burnside next issued Fast Texas in 2003, a collection rich in songs reflecting the Texas locales where James had lived for decades. Texas transplants Cindy Cashdollar on steel and dobro guitar and vocalists Ruthie Foster and Cyd Cassone joined him on that release. Fast Texas balances his own original material with inventive readings of songs by Hop Wilson, Milton Brown, and Little Hat Jones. Cashdollar, Gary Primich, and Alvin Youngblood Hart likewise supported him on Boom Chang.

James's guitar, mandolin, and slide guitar appear on recordings by James McMurtry, Angela Strehli, Ana Egge, and the Bad Livers. He also created an instructional video devoted to acoustic blues guitar and contributed articles to Acoustic Guitar magazine; the same publication released his book Roots and Blues Fingerstyle.

Every one of his recordings exhibits command of multiple guitars and offers instructive models for students of acoustic blues. Serious learners, he often suggested, should explore the same sources that shaped him: Rev. Gary Davis, Skip James, Lightnin' Hopkins, Doc Watson, and Son House.

James maintained an active schedule of touring and teaching throughout the U.S., Canada, Europe, and South America until his death from a brain tumor at his Seattle home on January 6, 2023.